Detroit Make Some Noise for Human Error
forgiveness but isn’t does it, will it
help me to remember who has hurt?
A kiss, redemption I killed
on the way to my thousandth blessing,
a detour. Lost out to betterment,
found when I searched for dark. Did I
forgive you, myself, for getting lost, being prepared,
for returning?
To build a structure that could house me
that would know my faults and hold
Them in place? Something I could feel on,
inside of and outside and all over? I think about
how best to get away from you. Sometimes a poem is
until it dizzies
passing the time
around and around the room.
Tony Cokes, No Sell Out, 1995, 6:20
text from popular culture but also in riot or
otherwise I’m not
your commodity––––––Cokes as capitalism as a spider
that,
him in his web. He: am I
the real thing? We
invent, he submits, the real
thing come up again and again as
images and text, as the basis, the visual fabric.
Tony Cokes, Ad Vice, 1999, 6:36
of “swipe country”? do you get down or high
certainly the most typographical
rather an image
behind the text,
through screens of various colors
and conflicting
the main substance of the film, THE IDEAL COPY–––– (Andrews
also retained a concern for the copy,
for imitation throughout ) which
took him away from
the computer
this, getting farther
away from quotations
using color and (I will be an example of this
to influence
and strike me
to cut and once or twice to
signal a later sonic
Tony Cokes, 2@ , 2000, 6:00
in the 60s and
moves on 70s
who have played along
the way and the
music movements named by music media the idea of the
ideal which we saw returns––––then
proceed the 90s the disappearing headline
a diminishing or disa-
ppearing time.